CHAIRED BY LATE MAKHMOOR SAIDEE , CHIEF GUEST – RETD. CHIEF JUSTICE OF INDIA – SH. A M AHMEDI 10TH OCT 2008 ( Invited poets , MakhmoorSaidee , Nand Kishore Acharya , Sheen KaafNizam , A D Rahi , MalkaNaseem , Farooq Engineer , Madan Mohan Danish , HasanKazmi , NazimNaqvi , Arshad Abdul Hameed , Lokesh Kumar Singh Saahil , Birjesh Amber ,Aadil Raza Mansoori )
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Khidki Mein Khawab7
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Khidki Mein Khawab6
Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry’s standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged. It was popularised in the 1960s with the release of Letraset sheets containing Lorem Ipsum passages, and more recently with desktop publishing software like Aldus PageMaker including versions of Lorem Ipsum.
Khidki Mein Khawab5
Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry’s standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged. It was popularised in the 1960s with the release of Letraset sheets containing Lorem Ipsum passages, and more recently with desktop publishing software like Aldus PageMaker including versions of Lorem Ipsum.
Khidki Mein Khawab4
Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry’s standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged. It was popularised in the 1960s with the release of Letraset sheets containing Lorem Ipsum passages, and more recently with desktop publishing software like Aldus PageMaker including versions of Lorem Ipsum.
Khidki Mein Khawab3
Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry’s standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged. It was popularised in the 1960s with the release of Letraset sheets containing Lorem Ipsum passages, and more recently with desktop publishing software like Aldus PageMaker including versions of Lorem Ipsum.
Khidki Mein Khawab
Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry’s standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged. It was popularised in the 1960s with the release of Letraset sheets containing Lorem Ipsum passages, and more recently with desktop publishing software like Aldus PageMaker including versions of Lorem Ipsum.
Khidki Mein Khawab1
Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry’s standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged. It was popularised in the 1960s with the release of Letraset sheets containing Lorem Ipsum passages, and more recently with desktop publishing software like Aldus PageMaker including versions of Lorem Ipsum.
Istifsaar 3rd Issue
The third issue of Istifsaar is available now.
We know that the literary fraternity is eagerly waiting for the same. As we promised last time we have increased the number of copies by the tune 20% of the previous issue as we have faced the acute shortage of copies even in last edition which was 1.5 times of the first one.
This issue is divided into 10 sub parts including, Idariya, Yaad-e-RaftgaN, Nazr-e-saani, Ghazal kiwadi se, AfsanaaurmaiN, Dohekiduniya , Un suniNazmeN, Jahan-e-Deegar, KhidkiMeiNKhawab and Book Shelf, ( Dohekiduniya is the new addition this time.)
In the century year of birth , we have dedicated “Yaad-e- RaftgaN” in the name of legendry urdu poet MajeedAmjad, with a view to contact today’s reader with his work
In this issue also we have tried to present a mix n match of seniors and promising new voices. In total there are 47 entries of 26 different poets, writers, critics from India, Pakistan, Iran and USA.
In the current issue we are also presenting the translations of two prominent poets i.e. KedarNath Singh of Hindi and Vicente Aleixandre of Spanish. Kedarnath Singh, a prominent hindi poet of current era, who has recently got the prestigious Gyanpeeth Award and Vicente Aleixandre, one of the prominent figure of Generation-27 and recipient of Nobel Prize for Literature in 1977.
We are hopeful that like previous issues, this issue will also make inroad into the literary world and will be appreciated.
We thanks and appreciate the support of all the contributors, readers and entire literary fraternity.
Istifsaar 2nd Issue
The second issue of Istifsaar was out in late April 2014. As we experienced the acute shortage of copies in the case of 1st issue , we have increased the publication by the tune of 1.5 times of the first issue but the result remains the same and again we are short of supply , still we are getting orders and request of the issue almost on daily basis. Many reviews which were published in other journals and papers also added to this demand, we thank you all for this and promise to increase the numbers in the next issue.
This issue was also divided into 8 sub parts including, Idariya, Yaad-e-Raftgan, Nazr-e-saani, Ghazal ki wadi se, Afsana aur main, Unsuni Nazmen, Jahan-e-Deegar, Khidki Mein Khawab like the first one except the 9th ( i.e. Book shelf)
In total 38 entries of 27 different poets, writers, critics from India, Pakistan, USA, Iran were found place in this issue.
On 9th January 2014, urdu world has lost its one of the most prominent critic Dr. Waris Alwi. We sincerely thanks Jnb. Ahmed Sohail for providing the self made sketch of Waris sb. (sketch used on cover note of second issue was an own sketch made by Waris Alwi), we also thankful to Jnb. Jayant Parmar for providing the hand made sketch and along with the ghazal written in the remembrance of Jnb. Balraj Komal , one of the pioneer of urdu nazm, who also demised recently.
We thanks and appreciate the support of all the contributors ,readers and entire literary fraternity
